The Firesun Collection

The Firesun Collection

Shimmering painterly expressions with vivid intensity, inspired by elemental forces and the natural world. Finely knotted in Kashmir in 100% silk, the Firesun Collection employs a high knot density to convey the dynamic movement of Dena Lawrence’s paintings in hyper-real detail.

Kashmir pure silk carpets are regarded as being among the finest handmade rugs in the world, known for their beauty and strength. The tightly packed, intricate knots are what makes the rugs durable, and it is this structural integrity that allows the subtle tonal shifts of Dena Lawrence’s paintings to be replicated and enhanced in woven form. The density of the knots means that every nuance of a painting, from purposeful brushstroke to chance droplet, is faithfully captured in silk. It is perfectly suited to capturing the daubs and splashes of paint, created in an instant, into a rug that can last generations. This literal translation is achieved using a carpet-weaving language of symbols called Talim.

Initially, Dena Lawrence’s free-flowing abstract works, full of curvilinear gesture, were a challenge for Kashmiri weavers more accustomed to traditional Persian rug designs with a repeating pattern. The best masterweavers in Srinagar were employed for the project. Their expertise enabled a successful merging of expressionist modern art from Australia with the timeless technique of handknotted rugs, to create something completely unique.

Every Dena Lawrence Firesun Collection rug uses between 22 to 40 colours woven in a high density with 576 knots per square inch. The use of both symmetric and asymmetric knots facilitates an accurate replication of the painting. The lustre of pure silk adds a reflective glimmer that changes throughout the day, and seasonally, depending on the light. At the same time an intense depth of colour results from the soft pile which, felt underfoot, is the ultimate in tactile luxury.

The Carpets of Kashmir

A home is incomplete without a soul. A carpet from Kashmir brings the entire house together into a unified whole.

History

Kashmir carpets and shawls have a long and distinguished history. Acclaimed worldwide for their exquisite craftsmanship, they have been cherished as jewel-like treasures for generations.

Rug weaving is said to have arrived in Kashmir with the Sufi mystic, Hazrat Mir Syed Ali Hamdani, a Persian poet, scholar and saint from Hamadan, Iran who spread the word of Islam along the silk road in the 14th century. The region has been revered for the production of Kashmir shawls since Sultan Zain-ul Abidin invited teachers and artisans from Samarkand to establish various craft industries there in the 15th century. In the 17th century, many fine carpets were woven in Srinagar, a trade-route entrepôt and the Mughal summer capital of Kashmir. With silk foundations and pashmina knotted pile, these were luxury commissions intended to satisfy the ambitions of members of the highest level of Mughal society during the reign of an empire renowned for its patronage of the arts. Being made of delicate pashmina—luxurious but impractical—they survive only as antique fragments, which are still much sought after by collectors and connoisseurs, regularly fetching considerable prices at auction.

The art of carpet weaving spread from Srinagar to remote villages in the hills of Kashmir where the technique is passed down within families, traditionally from father to son. Today, along with tourism, rug weaving is a significant source of income for both men and women in the Kashmir Valley. It provides a livelihood for thousands of people who are associated with the modern carpet industry—particularly during the winter, a quiet season for agriculture.

A huge amount of specialist processes, perfected over centuries, are involved in weaving a handmade rug. In the local Kashmiri language, the nakaash is the rug designer, a kalimba is a weaver, and the ranger is the dye master. The weaving workshop is locally known as the kharkhaana.

The Firesun Collection

Kashmir pure silk carpets are regarded among the finest handmade rugs in the world, known for their beauty and strength. The tightly packed, intricate knots are what makes the rugs durable, and it is this structural integrity that means the subtle tonal shifts of Dena Lawrence’s paintings can be replicated and enhanced in woven form. The density of the knots means that every nuance of a painting, from purposeful brushstroke to chance droplet, is faithfully captured in silk. It is perfectly suited to capture the daubs and splashes of paint, created in an instant, into a rug that can last generations. This literal translation is achieved using a carpet weaving language of symbols called Talim.

Initially, Dena Lawrence’s freeflowing abstract works, full of curvilinear gesture, were a challenge for Kashmiri weavers more accustomed to traditional Persian rug designs with a repeating pattern. The best masterweavers in Srinagar were employed for the project, whose expertise enabled a successful merging of expressionist modern art from Australia with the timeless technique of handknotted rugs to create something completely unique.

Every Dena Lawrence Firesun Collection rug uses between 22 to 40 colours woven in a high-density with 576 knots per square inch. Symmetric and asymmetric knots are used as required to most accurately replicate the painting. The luster of pure silk adds a reflective glimmer that changes throughout the day, and seasonally, depending on the light. While an intense depth of colour results from the soft pile, which felt underfoot, is the ultimate in tactile luxury.

The weavers of Kashmir

Kashmir had more than 100,000 carpet weavers before the onset of armed insurgency of DATE. Three quarters of the carpet weavers switched to street vending or driving auto rickshaws to survive through some of the darkest days Kashmir’s longstanding carpet industry.

Dena Lawrence was moved by the plight of these skilled artisans and pledges, through the Firesun Collection to provide valuable work for the weavers of Srinagar, to offer better working conditions and higher wages than those widely available, to ensure every carpet woven to her designs passes through rigorous quality control by the Indian Institute of carpet technology in Srinagar

Read more about Dena Lawrence’s art therapy project in Kashmir.

 

“Dena Lawrence’s Peace rug is a beautiful work of art. The colours change constantly in a different light and at different times of day, as well as from different viewpoints. Every day it provides me with great pleasure visually and the tactile sensation under my feet is luxurious. It is warm, and inviting and provides a calming focus for meditation. I have seen many exquisite rugs on overseas travels and I have several beautiful rugs in my home, but this is my personal favourite, the most personal and evocative. It has given me a greater sense of the value of finely designed and woven rugs.” Lynne Cunningham, Dena Lawrence rug owner, Western Australia

The Carpets of Kashmir

A home is incomplete without a soul. A carpet from Kashmir brings the entire house together into a unified whole. The land of Kashmir provided the initial inspiration for Dena Lawrence’s rugs.

The Firesun Luxury Designer Rug Collection

Kashmir pure silk carpets are regarded as being among the finest handmade rugs in the world, known for their beauty and strength. The tightly packed, intricate knots are what make the rugs durable, and it is this structural integrity that allows the subtle tonal shifts of Dena Lawrence’s paintings to be replicated and enhanced in woven form. The density of the knots means that every nuance of a painting, from purposeful brushstroke to chance droplet, is faithfully captured in silk. It is perfectly suited to capturing the daubs and splashes of paint, created in an instant, into a rug that can last generations. This literal translation is achieved using a carpet-weaving language of symbols called Talim.

Initially, Dena Lawrence’s free-flowing abstract works, full of curvilinear gestures, were a challenge for Kashmiri weavers more accustomed to traditional Persian rug designs with a repeating pattern. The best masterweavers in Srinagar were employed for the project. Their expertise enabled a successful merging of expressionist modern art from Australia with the timeless technique of hand-knotted rugs, to create something completely unique.

Every Dena Lawrence Firesun Collection rug uses between 22 to 40 colours woven in a high density with 576 knots per square inch. The use of both symmetric and asymmetric knots facilitates an accurate replication of the painting. The lustre of pure silk adds a reflective glimmer that changes throughout the day, and seasonally, depending on the light. At the same time, an intense depth of colour results from the soft pile which, felt underfoot, is the ultimate in tactile luxury.

Read more about Dena Lawrence’s inspirations and artistic practice

The weavers of Kashmir

Kashmir had more than 100,000 carpet weavers before the onset of armed insurgency in the 1990s. Three-quarters of the carpet weavers switched to street vending or driving auto-rickshaws to survive through some of the darkest days in Kashmir’s longstanding carpet industry.

Dena Lawrence was moved by the plight of these skilled artisans and pledges, and through the Firesun Collection was able to provide valuable work for the weavers of Srinaga, and to offer better working conditions and higher wages than those widely available. Every carpet woven to her designs passes through rigorous quality control by the Indian Institute of Carpet Technology in Srinagar IICT).

Read about Dena Lawrence’s art therapy work in Kashmir.

History

Kashmir carpets and shawls have a long and distinguished history. Acclaimed worldwide for their exquisite craftsmanship, they have been cherished as jewel-like treasures for generations.

Rug weaving is said to have arrived in Kashmir with the Sufi mystic Hazrat Mir Syed Ali Hamadani, a Persian poet, scholar and saint from Hamadan, Iran, who spread the word of Islam along the Silk Road in the 14th century. The region has been revered for the production of Kashmir shawls since Sultan Zain-ul-Abidin invited teachers and artisans from Samarkand to establish various craft industries there in the 15th century. In the 17th century, many fine carpets were woven in Srinagar, a trade-route entrepôt and the Mughal summer capital of Kashmir. With silk foundations and pashmina knotted pile, these were luxury commissions intended to satisfy the ambitions of members of the highest level of Mughal society during the reign of an empire renowned for its patronage of the arts. Being made of delicate pashmina—luxurious but impractical—they survive only as antique fragments, which are still much sought after by collectors and connoisseurs, regularly fetching considerable prices at auction.

The art of carpet weaving spread from Srinagar to remote villages in the hills of Kashmir where the technique is passed down within families, traditionally from father to son. Today, along with tourism, rug weaving is a significant source of income for both men and women in the Kashmir Valley. It provides a livelihood for thousands of people who are associated with the modern carpet industry—particularly during the winter, a quiet season for agriculture.

A huge number of specialist processes, perfected over centuries, are involved in weaving a handmade rug. In the local Kashmiri language, the nakaash is the rug designer, a kalimba is a weaver, and the ranger is the dye master. The weaving workshop is locally known as the kharkhaana.